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Anne Skyvington

The Art of Creative Writing

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Writing

sculpture-angel-lake
MemoirWriting

The Angel of Islington

angel-tube-signAfter some confusion, I started at the Angel in search of a boy, my long-lost Ern, my namesake, darling. A perfect starting point for my research. I felt sure your old street would be nearby. It was missing from the map they gave me in the hotel.

the-angel-pub

There is an angel hovering over your streets, Islington. I know, because I searched from one end to the next, covering all cardinal points. I felt his light spirit first in the foyer of the hotel where I stayed in Mount Pleasant, and around the canals, where fortunate tenants live in million-pound tenements; others in barges that course along waterways.

the-angel-islington

The Angel

angel-station

The Angel Station

Chameleon-like he turns and weaves, sometimes appearing rainbow-brightly hued, at other times a cloudy figure darkly cloaked.

 I lost him on the wrong side of a road, where life expectancy is ten years’ less than on the other side. I caught a glimpse of him in parks where London plane trees stand with outstretched arms.

Upper Street leads north, lined with boutiques; coffee shops and English pubs with funny names. Aromatic ethnic flavours and Anglo baskets of multicoloured petunias adorn the street.

After crayfish sandwiches at Prèt A Manger, the chain of healthy luncheon fare, I continued on for thirty minutes more to Islington-and-Highbury. I was certain that this would be the place to which you once referred. But you were nowhere to be found in this part of the borough, either.

No-one could tell me where the street lay till I came to Finsbury Park. Yes, around the corner from there I found you, my boy, an angel orphaned by fate around the time of Victoria’s demise.

As I stood in front of 65 Evershsot Road, I heard your cries: “Mama! Mama!”

evershot-road

Your Place of birth

 You were only a boy when you were orphaned, and brought up by Grandma Mepham and Auntie Louie in a gracious house of women. I remember the sweet letters from Auntie Louie after she saw you off. Letters in an old lady’s scrawly hand from this far-away kingdom to the north.

Islington, you were no doubt smart when Ern was born, before the onslought of poverty brought by horse-drawn omnibuses, mud and sewage, burst your gentility at the seams. The plumbing was not up to the force of change, either, and your poor Mama died: from an invisible speck that entered her lungs—no one knew was there, or from where it had come. Until too late.

 I have learnt, Islington, during my wanderings, that you were first mentioned in the Domesday Book, and are now home to wealthy politicians with names like Tony and Gordon, and rich tailors, artists and architects; and mothers wheeling baby boys in fancy costumes, navy-hooded prams.

Just around the corner from your childhood street is another England now: of hookahs, gaudy satin gowns in shop fronts the size of broom cupboards; and Cypriot, Algerian, Moroccan, Ethiopian and a hundred other odd tongues wagging. A multicultural district you would not now recognise.

Auntie Louie’s letters kept us all in touch with Old England like spiders’ webs breeching the gap of time and space, from the genteel Mepham household that succoured you.

I walked along the streets near Finsbury Park where you once played. Opposite Finsbury Station, I found the mosque where dark angels—refugees, along with British converts— once met, not so long ago, to pray, and to enlist: jihadists to a stark world view of Taliban Islam.

the-angel-pub

Finsbury Park Mosque

They wouldn’t let you touch her, when she died in your father’s arms.  I heard your cries as I stood before the house: “Papa! Papa!” But he was gone off, too, that other Skivington; off like a bird in flight, afraid for his sanity.

Auntie Louie, though, hugged your skinny boyness to her ample breasts and said: “My Angel, everything will be alright. God is good and He knows all: what is and when and why.”

You were cosseted in this female household, clothed and well fed, and sent to the best school in the district, pampered and petted and urged to do your homework every night. And Auntie Louie, bathed in unexpected motherhood, became your Alma Mater.

But as the Victorian age ended, Grandma Mepham cried: “He’s out of control! William, my son, what is to be done?”

You, Angel, an arrogant teenager, sliding downhill, with Islington on the skids, alongside of you.

Captain of ships going to the colonies, William Mepham said at once: “We’ll pack the young lad off to the Antipodes and see how he fares oer there. I’ll put him on one of my ships as cabin boy. He’ll have to sink or swim!”

I am late in understanding. I took your dry wit for Old English reticence, your silence about the past as lack of imagination, or even worse, of love.

“History is a useless subject,” you said.  “Don’t go back over old winding streets of pale regrets.  In any case, Hitler’s bombs destroyed all evidence of my childhood days!”

Lucky, you were, to be relieved so swiftly and permanently, of past ghosts.

I am sorry too, for my foolish ignorance. The arrogance of youth. In not knowing until too late, Ernest, my long-lost grandfather, about your past: you who gave us your name, which rhymes with Islington.

 

islington-canals

Canals in Islington

   

The Angel of Islington was last modified: April 9th, 2019 by Anne Skyvington
January 15, 2015 2 comments
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PublishingWriting

The Writer as Entrepreneur

I recently attended a seminar on Publishing at the NSW Writers Centre entitled “Open Access”. The main message I came away with was: “You must be an author entrepreneur. You need to take part in marketing your own books before, during and after publication.” In attendance were 1) digital experts, 2) publishing representatives, 3) bookshop owners, 4) editors and 5) writers.

Anna Maguire talked about the ingredients for success: Content, Cover, Connections, Metadata and Marketing.

Cate Blake: Penguin Books Australia: “The long tail”: Print, Radio, Online, campaign,

Alice Grundy: Giramondo: Quality, Enthusiasm, Commitment.

Adam Van Rooijhan: Harlequin: Finding your audience.

Megan O’Brien discussed who and what to talk to/about in a bookshop.

Robert Watkins: Commissioning Editor for Hachette talked about the 7 stages in supporting an author.

Diane Blackloch was in the right place at the right time and started with 3 friends and an electronic newsletter.

Anita Heiss (Dr) Political activist and writer: 2008 Apology in Canberra:  Describes herself ironically as “the Australian Oprah”and is a long-term blogger and twitter adept.

Dionne Lister, self publisher, developed a community of authors.

Elisabeth Storrs described herself as a hybrid and “twitterer on steroids”: self publisher/taken up by a US publisher.

Bruce McCabe: The Reader is Key: Find your readers!

Darrell Pitt: Text Publishing: “The riches are in the niches”: Have a series of books ready to go!

 See my next post on Strategies for self promoting.

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The Writer as Entrepreneur was last modified: July 4th, 2021 by Anne Skyvington
October 5, 2014 0 comment
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kubla-khan
Emotions and HealthExistencePsychologyWriting

Creativity and Mental Illness

I came across Nancy Andreason in 2014 while researching the brain, to assist me in writing the next chapter of my novel-in-progress: about a young gifted boy who suffers a traumatic brain injury. Creativity is also a theme in the novel.

Nancy Andreason has spent decades researching the brain and what constitutes creativity; and the connection between creativity and mental illness. She states that a high IQ does not correspond to creative genius; in fact, Bill Gates, Steve Jobs, and Mark Zuckerberg, all creative geniuses, were college dropouts.

While reading English at the Iowa University, she was able to interview and study the personalities of well-known creative people. This is the site of the famous Writers’ Studio, where she came in contact with dozens of well-known writers, Kurt Vonnegut , Richard Yates, John Cheever, and George Lucas, and she also studied famous creative thinkers from the past: Sylvia Plath, Virginia Woolfe, James Joyce, Bertrand Russell, Einstein and others.

She discovered that creativity ran in families, and that it was often accompanied by mental illness, often mood disorders, such as depression, anxiety, and bipolar disorder, as well as alcoholism; and that relatives often suffered from schizophrenia. Eighty percent of the creative group were so afflicted compared with thirty percent of the control group.

Neil Simon told her: “I don’t write consciously—it is as if the muse sits on my shoulder” and “I slip into a state that is apart from reality.” And she mentions the example from history of Samuel Taylor Coleridge, who  once described how he composed an entire 300-line poem about Kubla Khan while in an opiate-induced, dreamlike state, and began writing it down when he awoke; he said he then lost most of it when he got interrupted and called away on an errand—thus the finished poem he published was but a fragment of what originally came to him in his dreamlike state.

 She concludes from her (still ongoing research) that creative people are better at recognizing relationships, making associations and connections, and seeing things in an original way—seeing things that others cannot see.

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Creativity and Mental Illness was last modified: February 18th, 2021 by Anne Skyvington
September 29, 2014 0 comment
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castle-in-ireland
PublishingWriting

Print On Demand Publishing

This morning, the postwoman brought my brother a first copy (from the printer in the UK) of They Sought the Last of Lands, which can be thought of as a companion volume to A Little Bit of Irish. He is more than satisfied with the results.

 My brother writes, when speaking of Print-on-Demand Publishing and Printing: “In a nutshell, I am both the author and the publisher of these books. As for the US-owned platform, IngramSparks, in the UK, it houses above all an extraordinary robot that simply produces (prints out) exactly the book that I’ve requested. In other words, I do not communicate with any human beings at “IngramSpark”.

English: Postwoman in Great Britain, WWI. Espa...

English: Postwoman in Great Britain, WWI. Español: Cartera en Gran Bretaña durante la Primera Guerra Mundial. (Photo credit: Wikipedia)

They Sought the Last of Lands:

William Skyvington presents the outcome of research into his paternal ancestors. His grandfather went out to Australia at the start of the 20th century, and married an outback girl whose English father had reached NSW in the second half of the 19th century. This book might have been a run-of-the-mill family-history monograph written by the Australian-born grandson of typical Old World pioneers in the Antipodes. However, during the final stages of the writing process, the author had got into the habit of displaying his work in progress on a dedicated Internet website… and that changed everything.

The author started to hear from individuals-indeed, relatives-whom he had never known. And two such cousins provided the author with astounding last-minute revelations, forcing him to rethink and rewrite large sections of his typescript.

Skeletons-some quite harmless, others more disturbing—started to jump out of closets on both sides of the author’s paternal ancestors. What had started out as a banal exercise in genealogy was metamorphosed, in parts, into psychological case studies of relatively recent ancestors who apparently believed that a good way of presenting one’s family history was through myths.

(https://www.amazon.com/They-Sought-Last-Lands-Forebears/dp/2919427024)

3-books
 
A Little Bit of Irish,

William Skyvington explores the background of his maternal Irish ancestors. Their family names were Walker, Hickey, O’Keefe, Kennedy and Cranston. Among them, there was a convict and a bushranger, but most of the others were simple folk fleeing from poverty in the Old World. Rural pioneers, they were seeking greener pastures than those of their native Ireland. Their one-way journey to the Antipodes was a gigantic adventure, culminating in their helping to found a new nation.

a-little-bit-of-irish

 These two books have enabled us to find relatives in the United Kingdom and in Australia that we had never met before. Some of these are distant cousins, and some the result of “skeletons in the closet” stories, one linked to a recent ancestor who invented a fake noble lineage to pass on to his second family, our newfound “step-cousins”.

Some of these new-found relatives refused to believe the facts unearthed by painstaking research on the part of my brother.

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Print On Demand Publishing was last modified: April 9th, 2019 by Anne Skyvington
September 5, 2014 1 comment
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PublishingWriting

To Publish Book or e-Book?

English: A Picture of a eBook Español: Foto de...

English: A Picture of a eBook Español: Foto de eBook Беларуская: Фотаздымак электроннай кнігі Русский: Фотография электронной книги (Photo credit: Wikipedia)

I have been researching e-book and traditional book publishing for several years now, but I’m going to be lazy and share with you these points passed on to me by Andy McDermott, head of Publicious Publishing, http://www.publicious.com.au/, which I can highly recommend as Andy published Bondi Tides, Bondi Writers Group’s anthology of short stories. http://www.andymcdermott.com/

Printed books Pros:
1. Most books nowadays are printed using sustainable and/or recycled materials
2. Print on Demand (POD) books can be sold via the online stores and printed one at a time at the buyer’s expense
3. With digital printing, high quality books can now be printed in smaller quantities while remaining affordable
4. For authors, books are essential for book signings and events
5. For entrepreneurs, books can be sold at seminars and events and are often referred to as the modern day business card
6. Children’s books can be interactive with music and buttons and also used for colouring in
7. Books make great gifts
8. Books look good on bookshelves especially a leather bound classic or a colourful coffee table book
9. A good book will be cherished and read
10. A bad book can still be used as a door stop

Continue Reading

To Publish Book or e-Book? was last modified: July 4th, 2021 by Anne Skyvington
September 5, 2014 2 comments
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oxford-towns
TravelWriting

Oxford Revisited 2014

Same reason for being in Oxford—the Oxford Dysfluency Conference that my partner helped organise—same train trip from London; same College for accommodation. But this trip, instead of visiting university landmarks and museums, I spent the time with a niece and her boyfriend punting on the Isis River, which is the Thames in Oxford. Other activities included eating and drinking in taverns, and browsing in bookshops, of which there are many excellent ones in Oxford. I returned to the Turf Tavern several times for lunch.

The Punts at Oxford

Continue Reading
Oxford Revisited 2014 was last modified: July 13th, 2018 by Anne Skyvington
July 28, 2014 5 comments
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woman-frustrated-computer
Book ReviewsWriting

Writing a Book Review

HOW TO WRITE A BOOK REVIEW:

At a Bondi Writers Group meeting, we discussed the question of how to write a book review. One of our long-term members had just published her book of poems: Barking at Shadows, and she had brought along copies of a review written by one of the members of the Society of Women Writers.

As I’ve had experience writing book reviews, especially of short story collections, I thought I would share with you the main points in going about writing such a review for a collection of short stories.

POSITIVES FIRST:

  1. After reading the stories in the book, choose several (three or four) favourite stories to focus on.
  2. State the title of the book, the publisher, and the year of publication at the top of the review.
  3. In the opening paragraph try to give an overview of the book: say what the main themes of the stories are in a couple of sentences.
  4. Write the title of the story to discuss and the author’s name at the top of the next paragraph.
  5. Say what you liked about the story. Each story will suggest topics, such as the following, to consider when writing about your positive impressions: Character, Storyline, Setting, Voice, Point of View, Emotional Impact, Authentic Dialogue, Humour, Irony, Structure

CONSTRUCTIVE SUGGESTIONS: Mention anything that you thought could have been done better, e.g, too much telling, not enough dialogue.

SUMMARISE your thoughts and state who the audience of the stories might be.

The author of Prim’s book review, after the initial appraisal, stated her ideas in general about poetry: “For me personally, poetry should wrestle with language, play with words, and be built on sustained metaphor and surprising imagery. It should suggest, rather than state.” (Lesley Walter, published poet and past President of the Society of Women Writers). She suggested that Prim’s poems did not always follow these—for her—prerequisites.

We discussed the possibility of members writing reviews about one another’s work, before going on to the feedback part of our meeting. Prose and poetry were read aloud for feedback. These sessions provide practice in the task of appraisal and critique that written reviews require.

Writing a Book Review was last modified: July 4th, 2021 by Anne Skyvington
June 17, 2014 0 comment
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seagulls-in-flight
Book ReviewsWriting

The Trouble With Flying: A Review

The Trouble With Flying, from the 2014 Margaret River Short Story Competition, edited by Richard Rossiter,
Published by Margaret River Press, 2014
Review first published by Margaret River Press

he-trouble-with-flying

This was the third year of the Western Australia Margaret River Story Competition; 24 stories were chosen from 218 entries from all over Australia and one from New Zealand for the collection. Most stories focus on character, combined with social issues, making this an engaging and an insightful read. Themes such as new motherhood, love relationships, marital breakdown, ageing, and facing death can be classified within an overall category of Life Stages. Eccentric characters feature also, like the young woman in the winning entry “The Trouble with Flying”, who will never make it through TAFE studies.

I’d like to preface this review by suggesting some of the reasons why a reader might be drawn to a particular story. Often it is quite subjective. The four stories I’ve chosen to review attracted me by their themes, their emotional impact and, for two of them, by their humour. Other elements I looked for in selecting my favourites were fascinating story lines, authentic voice and vibrant language.

Continue Reading
The Trouble With Flying: A Review was last modified: February 8th, 2020 by Anne Skyvington
June 16, 2014 1 comment
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a-gaggle-of-geese
Writing

Giving and Receiving Feedback in a Writers’ Group

Establishing Parameters and Guidelines

One of the main benefits of joining a writers group is to receive feedback on your writing. We’d been talking a lot about giving and receiving valid feedback in our writers group, especially in the early days of establishing the group.
Because we were a mixed group, and not focused on one genre, the task of critiquing one another’s work was complex. Obviously, it would have been easier if we were all writing in the same genre, e.g. Creative Nonfiction, Romance Writing, or Crime Fiction. We could then have focused more narrowly on the aspects to do with good writing within that genre.
But as we were a mixed bunch, we had to consider one another’s creative goals,  before we launched into feedback.
Most of us were aware of the sensitive nature of giving criticism, especially in a large group, and we felt that it was right and proper to tread carefully, or at least to be well-informed when critiquing.

During the early weeks, we started developing a list of points to help us improve our skills in this area.

bondi-icebergs

Guidelines from the Bondi Writers’ Group

Suggested Guidelines for Giving Feedback

1.   As an editor of others’ work, it is important, ideally, to be widely read.

2.   Take into account the basic issues of narrative structure, characterisation, evocative and atmospheric language, vivid settings, scenes creation, and believable dialogue, relevant to all types of good creative writing.

3.   Take on the task of critiquing with a positive and helpful intention; read carefully, trying to understand the writer’s purpose and creative goal; consider the genre, the narrator’s point of view, and the voice.

4.   It is better not to offer criticism if you do not like the genre or style of writing under consideration.

5.   Is the emphasis more on character, experimentation with language, psychological/philosophical issues or story?

6.   Remember that some people may be highly sensitive in relation to some pieces on offer. This is especially true for new writers, or those who have not offered their work for feedback before.

7.   Think carefully about what is not working for you, and what is working, before you offer criticism. Give the positives first and say why. Give the negatives next, and say why it doesn’t work for you, and how you think it could be made better.

8.   Be truthful in your criticism. The writer needs guidance, not niceties.

 Some Guidelines for Accepting Feedback

1. Be prepared to accept negative feedback, especially if 2 or more members agree on it.

2.  If possible, look on your work as a “product” after it is “out there.”

3.  Look on feedback as a valuable means of improving your writing.

4.  Rewrite your work in accordance with the feedback received, and see if it is better.

5.  Remember that all writers have received negative feedback at times.

6.  One suggestion is not to show your work until you feel confident about doing so.

7.  A sure sign that you can write is that you keep going after knockbacks.

8.  Ask for suggestions on how to improve your work from the group.

Giving and Receiving Feedback in a Writers’ Group was last modified: August 16th, 2017 by Anne Skyvington
May 19, 2014 8 comments
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the-solar-system
MythosWriting

Duality or Onenness: The Moon

I’ve always been fascinated by the moon. There is a strange beauty about the moon as viewed from Earth. It must have been a wonderful sight for the cosmonauts to view Earth from The Moon.

The moon is unique, which is why it is called The Moon.  It makes me think and dream of onenness. By contrast, here on planet Earth, duality often seems to reign. Our planet’s surface is composed of water and land; parts of it are hot and others cold. And so it goes on: beautiful/ugly; war/peace; happy/sad; matter/energy; brain/mind; body/soul; physical/spiritual; love/hate.

my-photo-of-the-moon

my best shot of the moon

Sometimes, though, one can arrive at a sense of oneness, even if it is short-lived, even here on Earth. Many have experienced this at times of heightened emotions, especially during birth and death events. Near-death experiences have been related and recorded so many times that they have become accepted as the norm, for many of those who seek spiritual enlightenment. While I was pregnant with my first child, a daughter, who became very dear to me, I began meditating obsessively and exploring the spiritual through reading and writing, which started from the first movements of this child within. This great love all started in utero. When she was born, she was shining silver, like the moon. Wherever I am in the world, she is always there with me, even today, even though now, we are both adults/parents and grandparents.

Another means of arriving at this sense of onenness is through meditation. While meditating, one can imagine travelling through the Milky Way, passing via the planets of the Solar System in which we live. And sometimes, just sometimes, one can disconnect from the hold Earth has on one, and, momentarily, float in space, weightless and in touch with the universe and the divine.

Taken by Apollo 8 crewmember Bill Anders on De...

Taken by Apollo 8 crewmember Bill Anders on December 24, 1968, showing the Earth seemingly rising above the lunar surface. Note that this phenomenon is only visible from someone in orbit around the Moon. Because of the Moon’s synchronous rotation about the Earth (i.e., the same side of the Moon is always facing the Earth), no Earthrise can be observed by a stationary observer on the surface of the Moon. (Photo credit: Wikipedia)

 

Related articles

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Duality or Onenness: The Moon was last modified: April 9th, 2019 by Anne Skyvington
May 13, 2014 0 comment
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About The Author

About The Author

Anne Skyvington

Anne Skyvington is a writer based in Sydney who has been practising and teaching creative writing skills for many years. You can learn here about structuring a short story and how to go about creating a longer work, such as a novel or a memoir. Subscribe to this blog and receive a monthly newsletter on creative writing topics and events.

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About The Author

About The Author

Anne Skyvington is a Sydney-based writer and blogger. <a href="https://www.anneskyvington.com.au She has self-published a novel, 'Karrana' and is currently writing a creative memoir based on her life and childhood with a spiritual/mystical dimension.

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